- Energy spent on worrying is better spent on practicing!
- Remember that the only thing you have control over is your audition preparation – focus on that instead of the things out of your control (such as how others sing).
- Replace negative/anxious thoughts with positive ones – instead of thinking that you’ll feel horribly nervous, think about how relaxed and excited you will feel to be able to sing for people.
- Have family and friends help you prepare by walking into a room and singing for them as you would in an audition. Doing this will teach you how to switch into performance mode quickly.
- Drink water! You will feel better!
- Learn music correctly from the start! If there is a difficult passage, practice it very slowly to ensure that the pitches, rhythms and words are correct. If you start more quickly than you’re able to, you will learn things incorrectly and have to work twice as hard to unlearn and relearn the correct way.
- Use a metronome to train your tempo sense keep a steady pulse. Many singers have problems because they do not pay attention to tempo.
- Break difficult passages down – just pitches or just rhythm. Pay attention to articulations and dynamics, learning them from the beginning.
- Make sure all parts of your solo are prepared – don’t always start practicing at the beginning of the piece. Work intensely on different parts that are harder, and don’t over sing easy parts. It’s better to sing a new, different piece than practice only the easy parts of something you know.
- Practice “backwards” – sing the end first, then back up one line or verse, until you reach the beginning. This will enable you to feel more confident, the further you get into the piece. Use the same method to master longer, difficult passages (e.g. sing the last 4 notes or words, then the last 5, then the last 6, etc.).
- Record yourself! Any type of recorder works, even a phone. This will help you identify elements that need improvement (notes, rhythm, intonation, diction). This is one of the best learning tools.
- Once you know the piece well enough to go through beginning to end, practice singing without stopping, even if you make mistakes. It will help you get used to letting go of mistakes that may happen and keep from compounding them as you continue. Of course, remember where you have problems and focus on fixing them in subsequent practice sessions.
- The only way to get better at sight reading is to do it regularly!
- Sing everything: find any music you can – and read it!
- Develop good sight reading habits! Don’t start right away – take a moment to scan the music for the following:
- Key signature – can you tell from the phrase if the piece is in a major or minor key?
- Time signature
- Tempo indication – can you tell which note length gets the beat (half, quarter, dotted quarter, eighth?)
- Smallest rhythmic value (if there are 16th notes, don’t play too fast!)
- Syncopated/complicated rhythms
- Anything else unusual? You want to avoid being surprised to the point that you have to stop.
VERMONT YOUTH ORCHESTRA ASSOCIATION
Elley-Long Music Center at St. Michael’s College
223 Ethan Allen Avenue
Colchester, VT 05446
ADMINISTRATIVE OFFICE HOURS
Monday – Friday: 9 am – 5 pm